![]() ![]() ![]() This can also be done at the group level, which can lead to some very interesting results. The Edit section can be used to transpose or nudge the notes as well as adjust the volume and swing. A good example of this is when one or more notes are selected within a pattern. A large clickable jog wheel is the primary control here, and it can be used to adjust a number of parameters, depending on what's currently in focus within Maschine. The last of the big new features is the Edit section that is anchored on the lower-right portion of the controller. You can also monitor the incoming sound from Maschine's four stereo inputs using this meter, which makes it useful for sampling as well. The volume at the selected level can then be easily adjusted using the knob below the meter. This includes a large segmented LED level meter that, at the press of a button, can be switched to show the volume at the master, group and sound level. This is due in part to a new sophisticated mixer UI mode on the Studio's displays, but NI helped further by adding a Master section to the right of the displays. Mixing is another area that's enhanced by the Studio controller. Having the pattern names and colors represented in this view allows you to keep your focus on the controller and away from the laptop screen more than ever. Arranging and sequencing patterns is another area where the Studio shines-in the left display you get an overview of all of the scenes and patterns in the timeline, with detailed views in the right display. This is especially evident when browsing the library, as all of the NI content is represented as individual product icons, making them easily distinguishable. With full OLED color and the ability to adapt the UI layout to match different possible workflows, these offer a huge step up from the other Maschine controllers. Its expanded surface area allows for two new, larger displays, which are located prominently in the middle of the controller. ![]() Maschine Studio is the first version of the controller family that matches the feel of the classic Akai MPC 2000XL. The announcement included something for the existing Maschine users as well, a brand new version of the Maschine software loaded with new features. This past October, Native Instruments surprised us all with the announcement of a new larger flagship controller called Maschine Studio, designed with these very producers in mind. NI must have realized that there were also producers for whom Maschine has evolved into a vital tool, and who want to be able to get even more hands-on with their controller. These were useful new designs for the beatmakers who wanted the core features of Maschine but weren't necessarily interested in diving into advanced arrangement or mixing. It's been over two years since Native Instruments hit their Maschine controller with the shrink ray, resulting in the Mikro controller and their first app for iOS, iMaschine. ![]()
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